Introduction to the Communication of Art

Author: Bao Pengcheng
Publisher:
Publish Date: 2002-06-01
Features: After discussion, we established several principles for the writing framework of this book, which also represent its unique pursuit and characteristics.
1. Theoretical Basis. The entire book constructs theories of communication to explain various artistic phenomena.
2. Macro Perspective. The examination of artistic phenomena is not limited to a specific time, place, or category but adopts a broad, panoramic approach. In the realm of art, it spans ancient and modern, domestic and foreign, freely exploring the richness and complexity of art itself. Temporally, it includes prehistoric cave paintings, ancient, modern, and contemporary art. Geographically, it covers Western art, including ancient Greek and Roman art, as well as the art of various European countries at different periods, as well as Eastern art, such as Chinese, Indian, Arabic, and even American and African art. In terms of types, it includes painting, music, architecture, dance, sculpture, calligraphy, landscape, photography, crafts, language, film, radio, advertising, and the internet. We aim to be all-encompassing and exhaustive.
3. Cutting-Edge Nature. The book strives to incorporate the latest achievements in contemporary art theory, particularly in communication theory, to reflect the academic forefront of the discipline.
4. Practicality. The target readers of this book are journalism and art students, as well as professionals in the fields of news and art who possess a certain level of cultural refinement.