Selection of Papers on "Modern Calligraphy" in China

Author: Wang Dongling, Editor-in-Chief
Publisher:
Publish Date: 2004-11-01
Features:
A Brief Explanation of Form, Image, and Realm (Preface)
Tradition and the "One Brush"
Contemporary Calligraphy Issues and the Reconstruction of Artistic Ecology
Writing, Calligraphy, and Written Image
The Dilemma Before "Modernity"
The "Postmodern" Principle—Also on "Modern Calligraphy"
The Present and Future of Chinese Calligraphy
The Modern Context of Avant-garde Calligraphy
A Brief Discussion on the Aesthetics of "Postmodern Calligraphy"
The Boundaries of Calligraphy
Near Death, Yet to Be Born—Tradition and Modernity in Chinese Calligraphy
Abstract Ink Wash and Its Inspiration for Modern Calligraphy
"Painting in Calligraphy" and the Modernity Gene of Chinese Calligraphy
The Levels and Directions of Modern Chinese Calligraphy
The Significance of Dissolution—An Analysis of Textual Art in Modern Calligraphy
The Power of Chinese Characters
The Meaning of "Modern Calligraphy"
Descent and Redemption: On the Calligraphic Trends and Creations of the 1990s
Calligraphy as a Resource: A New Direction in Contemporary Chinese Art
On the Dependence of Calligraphy on Chinese Characters and Han Scripts—Also on the So-Called "Modern Calligraphy"
Questioning "Modern Calligraphy"—From "Unity of Painting and Calligraphy" to "Unity of Painting and Calligraphy"
Defining the "Modernity" of Calligraphy
Originating from Calligraphy—Naming a Genre and Beyond
The Aesthetics of New Spaces—Interpreting "Modern Calligraphy"
A Calligraphicist's Declaration
Heavy Transcendence and Difficult Choices—Chinese Calligraphy in Contemporary Culture
"Outpost" Calligraphy Reviews
On the Spirit of Modern Calligraphy
On "Modern Calligraphy" and Our Positioning
A New Order of Space—About "Modern Calligraphy"
From Within to Without—The Inevitable Path of Chinese "Modern Calligraphy" Creations
A Chronological Record of Major Events in Chinese "Modern Calligraphy"
Afterword
Illustrations