Author: Peter Gay (USA)
Publisher:
Publish Date: 2006-01-01
Features: Are realist novelists truly "realistic"? From the perspective of historians, the truth is far from simple. Dickens, as depicted in his works, is more of a propagandist than a historian. In Bleak House, the necessity of British justice and overall social reform is grossly exaggerated. In Madame Bovary, Flaubert employs his dazzlingly unique style to unleash his revenge on the French middle-class society of his time. As for Thomas Mann, in Buddenbrooks, he paints almost a satirical caricature for his readers: the cultural decline of an arrogant, fading middle class. This book combines historical research and literary criticism to dissect the complex interplay between novelists, novels, and history. Both the topic itself and the writing style are extremely challenging for the author's intellectual rigor and expressive skills. For Peter Gay, this very challenge is the perfect opportunity to showcase his expertise. Gay tells us that an experienced, problem-finding reader can integrate historical knowledge and literary experience, allowing novels to become an auxiliary medium for discovering the truth of the past.
Three Novels Lessons for Historians: Social and Cultural History Translation Series
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