Cross-Century Academic Writings

Author: Chen Liangyun
Publisher:
Publish Date: 2003-06-01
Features: This book consists of two parts: On the Development Patterns, Systematic Construction, and Contemporary Impact of Chinese Poetics; Three Perspectives on Ancient Chinese Prose Studies; The Horizon of Expectations for Research on Chinese Poetics; Ancient Chinese Critiques of Poets; Three Topics in the Study of Poetic Commentaries; "The Literary Mind and the Carving of Dragon" and "The Huainanzi"; An Examination of the Concept of "Concealment" in "The Literary Mind and the Carving of Dragon"; A Study on the Composition Process of "Preface to the Pavilion of Prince Teng"; Remarks on the Annotations to Li Bai's Poetic Collection by Yan Yu; On the Aesthetic Connotation of "Rhythm"; "Xiu" – an Aesthetic Concept Originating from Antiquity; A Clarification of the Concepts of "False," "Deceptive," and "Ugly" in Ancient Chinese Aesthetics; A Rebuttal of the Theory that "Beauty" Originates from "Taste"; An Exploration of Ancient Chinese Aesthetic Reception; On the Advancement of Wang Guowei's Academic Thought; On the Contemporary Reception of Ancient Literary Theory; The Reception of Ancient Poetics by New Poetry Theory, and more.