Research on Huang Tingjian's Calligraphy Studies - New Journal of Chinese History and Culture

Author: Chen Zhiping
Publisher:
Publish Date: 2006-10-01
Features: This book focuses on the achievements of Huang Tingjian in calligraphy studies. Based on a substantial amount of textual and artistic material, it bridges Zen Buddhism, poetics, and calligraphy studies, conducting an interdisciplinary comprehensive research on Huang Tingjian's calligraphy. The book is divided into three parts: The first part is a study of Huang Tingjian's calligraphic theories, with a focus on clarifying his relationship with "literary Zen" and elaborating in detail the Zen Buddhist implications and cultural connotations of the three concepts—"rhythm," "popularity," and "intention"—in his calligraphic theories. The second part is a study of Huang Tingjian's calligraphic creations, discussing his unique approach to handling brush and ink, as well as the formation and evolution of his calligraphic style. It also includes a special discussion on his creative method of "pen within the character" and the issue of integrating poetry and calligraphy. The third part is a study of Huang Tingjian's calligraphic activities, social interactions, and the textual examination of his works, where specific issues are explored in depth.