Author: Liang Bolong
Publisher:
Publish Date: 2002-01-03
Features: This book provides a systematic and comprehensive discussion of the theory and techniques of performing arts in a progressive and layered manner. Drawing on the valuable insights of expressionist artists such as Stanislavski and Grotowski, it explores television performance theory based on comparative theater and film performance theories, offering practical applicability. The book is divided into twelve parts, primarily constructing the theory of Chinese television performance from various perspectives, including actor qualities, categories, the relationship between actors and characters, action as the foundation of performing arts, and the relationship between actors and audiences. It is a well-researched, meticulously reasoned, and rigorously structured work.
Television Performance Studies (Television Arts Series)
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