Dancer's Song

Author: Isadora Duncan (USA)
Publisher:
Publish Date: 2005-08-01
Features: Reasons to Read This Book: She was born as a rebel against tradition. She rebelled against the rigid conventions of classical ballet, striving to dance according to natural rhythms and movements. She opposed the declining conservative forms, captivating and overwhelming audiences with her unrestrained and free-spirited dance style. She rebelled against the conventions of private life, detesting marriage and family life. Her disdain for social customs was so intense that she was widely regarded as a proponent of "free love" and became a target of attack for some. Her thoughts and actions were far, far ahead of her time. Recommended for the following groups:
- Scholars or enthusiasts of modern dance
- Scholars or opponents of classical ballet
- Lovers or opponents of American culture
- Scholars or enthusiasts of biographical literature
- Scholars or enthusiasts of "modernism"
- Students from primary to high school
She wore lightweight, flowing dance costumes, exposed her arms, and danced barefoot, creating exquisite dramatic effects in expression. She demonstrated her talent for simple movements, leaving a lasting impact on dance. Her torso and pelvis became the center of expression for dance movements from her. She liberated dance from artificial technical constraints, breaking free from dependence on elaborate yet hollow techniques, paving the way for the public acceptance of "modern dance." She was regarded as "a pioneer who elevated interpretive dance to a creative art."
In the months before her tragic death in a car accident, Isadora Duncan left us this "strange manuscript." When she died, the manuscript had not yet been safely typeset, so she did not get the chance to personally proofread it. This autobiography, My Life, is considered "a masterpiece equal in level to Rousseau's Confessions," throughout which her "unyielding spirit and perseverance in fighting for the innovation of dance art" are evident. The book is regarded as "as passionate, candid, and honest as her life," "sometimes a bit outrageous," "unrestrained," and "impulsive." The New York Times described it as "an attractive and even sensational read." It is considered "the classic autobiography published after her death," "particularly candid and engaging." This book has become a classic in the history of biographical literature.
She was born the same year as the Chinese thinker Wang Guowei and died the same year. It is said that educated Europeans regarded her as "a person of ancient Greek honor," "a person who embodies the honor of all arts in all eras," "a rival to Phidias, Botticelli, and Michelangelo," and "the sister of the great Beethoven, as well as Gluck, Chopin, and Wagner." The renowned Russian theater director Stanislavski said: "During the intermission, I had already become a new believer in this great artist, rushing to the stage to applaud. When the audience realized that the applause came from famous Moscow artists and actors, the entire hall was stirred." At that time, the Western artist, the greatest sculptor—Rodin—said: "This rare artist herself is the embodiment of poetry. She is not the tenth Muse but a collection of nine Muses in one. You can call her a painting, or you can call her a sculpture." Rodin also said: "This is not just talent, but true genius—a supreme and perfect art. 'She effortlessly created sculptural effects.'"