Author: Xiang Weilai
Publisher:
Publishing Date: 2004-09-01
Features: The new fashion of the new century is reflected in people's pursuit of a higher quality of civilized life. Longevity depends on physical and mental health, and the key to health lies in the spirit. Therefore, with the establishment of senior universities and schools across the country, senior education has emerged. This is also a sign of progress in the times. Learning in old age, choosing to study Chinese calligraphy and painting is a high-quality orientation. Because Chinese calligraphy and painting uphold the spirit,ing their essence in the creation of all things. Those who are passionate about calligraphy and painting draw inspiration from nature, generalize it into imagery, and find joy in the of it, which is endless. Those who are passionate about calligraphy and painting harmonize with nature, forge a bond of brush and ink, blend with society, and share the longevity of the universe, unaware of their old age, truly achieving eternal youth in spirit.
《Senior University Calligraphy and Painting Textbook》 is the crystallization of nearly 20 years of teaching practice in calligraphy and painting at the Haidian Senior University in Beijing. It is a series of textbooks compiled according to the teaching requirements of calligraphy and painting for the elderly. Haidian Senior University is located in the Haidian Zhongguancun high-tech development zone, education demonstration zone, and cultural area, where many famous higher education institutions are concentrated, gathering a large number of high-tech talents and senior intellectuals. It has high-quality students and a highly skilled teaching team in calligraphy and painting. Supported by the leadership of Haidian District and guided by the China Senior University Association, it has created favorable conditions for the compilation of 《Senior University Calligraphy and Painting Textbook》 while also setting higher quality standards for it.
《Senior University Calligraphy and Painting Textbook》 highlights the learning characteristics of the elderly while also catering to the needs of middle-aged and young people, with a particular focus on self-learning for the elderly. Since most students have a high cultural level and rich social experience, with strong comprehension abilities, the textbook strikes a balance between theoretical depth and accessibility, being vivid, easy to understand, and practical. Adhering to the principle of "less but better, learn and master," the textbook progresses from easy to difficult and is systematic, engaging, and diverse in form, accompanied by numerous illustrations and sample paintings for reference and practice. It emphasizes practicality, as practice leads to skill. It advocates the perfect combination of artistry and thoughtfulness, encouraging innovation and the expression of personal style.
The text of 《Huairen Collection of Wang Xizhi's "Preface to the Holy Teaching Order"》 well preserves the unique style and appearance of Wang Xizhi's calligraphy. It is strong and vigorous, with sharp starts and ends, like cutting jade with gold. The structure is slightly tilted yet balanced, disconnected yet connected, spacious yet not empty, dense yet not crowded. It has the appearance of regular script yet also the brushwork of skilled cursive script. Though refined, it is not rigid; dynamic yet full of charm, simple yet elegant, naturally powerful and beautiful.
The content of this book is as follows:
1. All the single characters in 《Huairen Collection of Wang Xizhi's "Preface to the Holy Teaching Order"》 are arranged in sequence according to the Chinese character radicals, avoiding the tediousness and frustration of searching and missing. It is very convenient to learn and can achieve twice the result with half the effort.
2. Brushwork is the soul of Chinese calligraphy. Whether one can master brushwork is the key to success or failure in learning calligraphy. This book uses detailed illustrations and explanations in the brushwork section, making it easy to understand and put into practice.
3. The "Fifty Examples of Character Structure" in the book is highly targeted and not just randomly compiled. By practicing them in order, one will surely make progress.
4. The "Brush Order Illustrations" use ninety examples to illustrate each stroke in the stele, making it clear at a glance and highly practical.
5. For other contents, please refer to the "Table of Contents."
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