Author: Mo Wu
Publisher:
Publish Date: 2003-05-01
Features: Since the birth of Chinese characters, calligraphy has existed in China. Humans have always created the world according to aesthetic principles since the beginning. Ancient oracle bone script and bronze inscriptions left behind an unparalleled beauty due to their unique material conditions and brushwork structures. Later generations' pursuit of calligraphic beauty became conscious, introducing artistic elements that predecessors had not. However, this does not always mean continuous surpassing, nor is it necessarily comprehensive. Due to the inherent characteristics of calligraphy art, evaluations of it have often relied on overly abstract and uncertain terms. This can even be linked to the ambiguity in Chinese linguistic habits, but it is also inseparable from the abstract nature of Chinese calligraphy. Additionally, traditional calligraphy history tends to emphasize lineage relationships when discussing specific schools or masters. While discussing lineage is necessary, it sometimes becomes overly simplistic, leading to linear thinking. In terms of practical significance, this can constrain creative consciousness. We should strive to study artists and their works from multiple perspectives, doing better than the ancients. We should view the activities of a specific calligrapher as an manifestation of both social essence and the essence of calligraphy. Contemporary calligraphy has entered a historically unprecedented situation. On one hand, material conditions have changed the writing conditions upon which calligraphy relies. On the other hand, calligraphy has flourished within a limited scope, stubbornly surviving. Our stance undoubtedly must be that of a promoter of calligraphic prosperity. Contemporary calligraphers, facing the dilemma of engaging with the times and exploring the future, seek inspiration from theoretical and historical research. This inevitably gives calligraphy history a contemporary nature. It does not involve arbitrary of history but rather summarizes patterns from the past to explore new life and new vitality.
Mi Fu
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