Tear mole (MP3)

Author: None
Publisher:
Publishing Date: None
Features: Lan Kouzi was once a child performer in a circus in Beijing. After coming to Japan to search for her mother and failing to find her, she became an "African" with no identity and fell into debt with loan sharks. She was coerced by the underworld into becoming a sex worker. It was around this time that she met and fell in love with "me," who was studying in Japan. However, Kouzi's "African" identity led the two of them to have to evade both Japanese police and immigration authorities while also avoiding the tracking of the underworld. Adding to this, her lingering guilt over her past experiences made Lan Kouzi doubt their future. Tragedy finally struck—an accident caused Kouzi to suffer a miscarriage, and an injection of expired penicillin left her deaf. Her hopes were completely shattered. One morning, Kouzi chose to run away. "I" searched the world for Kouzi but found no trace of her. A year later, she died in a car accident in Shinjuku. I came to a cherry blossom grove with Kouzi's ashes, perhaps, that was the only place she could truly call home.
Author: Li Xiwen
Li Xiwen is a professional writer. He writes for himself and those who love his novels, hoping to spend his life writing, watching movies, listening to music, and engaging in deep contemplation. His works have been translated into multiple languages. Both Tears on the Beauty and Bound to Paradise, the first two installments of his "Love and Death" trilogy, are to be adapted into film and television works. Known as the "Light and Shadow Writer" for his rich imagery, brilliant prose, and vivid color sense, Li Xiwen has been hailed by media outlets across mainland China, Hong Kong, Taiwan, and Japan as the "Pioneer of Contemporary Urban Literature in China." Professor Lin Shaohua, the translator of Norwegian Wood, wrote the preface to the book, saying, "Tears on the Beauty is both deeply passionate and hopelessly tragic; it can be called the pinnacle of love, yet it is also a distortion of love. No matter how you look at it, such extremes are rare in Chinese fiction. Precisely because they are rare, they are all the more worth reading."