Communication Studies Perspective on Chinese Film and Television Art

Author: Lin Lujian
Publisher:
Publish Date: 2006-12-01
Features: The author analyzes the vertical development and multi-angle expansion of Chinese film and television art from the perspective of communication theory, compares the prospects of the international film and television industry, and proposes broader expansion space. Film and television art is a mass art that has entered the homes of ordinary people and become a part of daily life. People often discuss it over tea and meals, praising or criticizing, admiring or expressing indignation, sympathizing or feeling sorrow. Thus, people have consciously or unconsciously engaged in the appreciation and criticism of film and television art. However, the appreciation and criticism of film and television art not only have a mass and entertainment nature but also possess artistic and scientific qualities. The latter is actually more advanced and theoretically rich. The overall impression of China's film and television industry is that there is a bit too much, yet the variety is somewhat limited, and many films have local characteristics. For example, Taiwanese films are primarily about love, Hong Kong films focus on gunfights and action, while mainland Chinese films are mostly historical and domestic dramas. Among China's numerous films, especially patriotic ones, the theme of individual heroism is particularly prominent, which is truly a cause for concern. This book includes chapters such as Introduction, Technological Analysis of Film and Television Art Communication, Cultural Analysis of Film and Television Art Communication, Industrial Analysis of Film and Television Art Communication, etc.