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Features: Contemporary Chinese flower-and-bird painting arises from the contradiction between inheriting and transforming ancient flower-and-bird painting. On one hand, it inherits the aesthetic tradition of ancient Chinese painting as a whole, being more directly inspired by the styles of the Ming and Qing dynasties, and driven by the broader cultural context of the 20th century, leading to numerous variations in its aesthetic character. On the other hand, the most significant influences on it are first and foremost political changes and the corresponding ideological revolution, as well as a sociocultural factor—the impact of Western learning. The Western tide not only created a coexistence of Chinese and Western art in Chinese art as a whole but also provided flower-and-bird painting with an additional channel for integrating Western techniques. From the perspective of style, contemporary flower-and-bird painting represents a new pattern where the creative transformation of the three traditional styles—freehand brushwork, semi-ink-and-paint, and meticulous brushwork—coexists with new styles born from the "application of Western learning to Chinese contexts." We should recognize that the stylization of Chinese flower-and-bird painting is very strong, and reaching the level of stylization marks the maturity of art. It is essential to study the established styles seriously and create new ones from life; when creating new styles, it is important to retain the fundamental elements of traditional brush-and-ink forms and preserve the great tradition of the nation.
Chinese painting: Album of works by famous contemporary Chinese flower-and-bird painters 5
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