Stage Costume Design and Technology - Drama Volume

Author: Pan Jianhua
Publisher:
Publishing Date: 2000-04-01
Features: This textbook, as well as the stage costume section of "Theatre Character Design and Technology," aims to spark readers' interest in this field, providing them with a key to approach and interpret stage costumes. It covers systematic knowledge including the functions of stage performance costumes, design elements and principles, style and patterns, design procedures, structural characteristics, materials, and colors. It serves not only as a textbook for professional learners but also as a guide for self-learners and enthusiasts to understand this discipline. Each chapter includes corresponding reflection questions and practical exercises. This textbook is a culmination of years of teaching and performance experience. During the outline development, it benefited from extensive guidance from peers in the field and underwent repeated refinement. It primarily draws upon multiple works by Professor Douglas Ross of Stanford University's Theatre Department on stage costumes, compiling relevant publications from various disciplines through selection, organization, and structuring.
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Author: Pan Jianhua
Publisher:
Publishing Date: 2000-04-01
Features: This textbook, as well as the stage costume section of "Theatre Character Design and Technology," aims to spark readers' interest in this field, providing them with a key to approach and interpret stage costumes. It covers systematic knowledge including the functions of stage performance costumes, design elements and principles, style and patterns, design procedures, structural characteristics, materials, and colors. It serves not only as a textbook for professional learners but also as a guide for self-learners and enthusiasts to understand this discipline. Each chapter includes corresponding reflection questions and practical exercises. This textbook is a culmination of years of teaching and performance experience. During the outline development, it benefited from extensive guidance from peers in the field and underwent repeated refinement. It primarily draws upon multiple works by Professor Douglas Ross of Stanford University's Theatre Department on stage costumes, compiling relevant publications from various disciplines through selection, organization, and structuring.