Portfolio of Landscape Masters 2

Author: (Spanish) Ashton, compiled by Ji WenGui, translated by
Publisher:
Publish Date: 2003-02-01
Features: In this book, the parks, squares, and gardens collected and introduced are reflections of the diversity and comprehensiveness of landscape, based on the various perspectives and influences of landscape masters. The book not only reflects the common characteristics and development trends of landscape architecture but also presents strikingly different viewpoints and completely opposing landscape design styles. For George Hargreaves, landscape architecture is not just about solving social and environmental issues related to the building site but also about establishing a connection between people and the landscape to seek a systematic aesthetic. Similarly, the works of Lee Weintraub and John di Domenico embody these ideas. Their works are closely tied to New York, with a common characteristic of being relatively moderate and loose, emphasizing the site area, and focusing on showcasing the appearance of this multi-ethnic, multicultural city. Steve Martino, an architect from North America, presents a seemingly simple appearance against a desert backdrop, yet it reveals a need for serious exploration of the relationship between ecological art and social concepts. On the other hand, his compatriot Beverly Pepper's works are diverse, respecting the site where they are created, with delicate concepts and expressions, to the extent that they can be considered architectural sculptures. Derek Lovejoy, a British architect, is a typical example of an architect who transforms aesthetics into a tool for serving society through landscape. His works are both unique and detailed, similar to the works of North American artist Martha Schwartz, who pays great attention to the social impact of their works on ecosystems. Schwartz prefers to use technology in the scene rather than natural standards or assumed spontaneous solutions. She loves vibrant colors and alternative materials, and she is very sensitive to trends, with her works often conflicting with public opinion and drawing criticism from peers. Danish architect Preben Jacobsen demonstrates a special system in his projects: his meticulous design of details and his ability to integrate Eastern garden styles, the tradition of Nordic Cubism, and the style of European classical architecture into one. His works have very unique flows. In terms of expressing flow effects, he is the opposite of Japanese architect Fumihiko Maki, whose works feature plastic components as the main elements of their landscape architecture. The engineering projects collected in this book come from all over the world. These projects showcase the works designed by world-renowned landscape architects in recent years. These works differ in concept and idea, yet they share a clear commonality: promoting and emphasizing the harmonious coexistence between humans and the natural environment.