Author: Wang Wenjuan
Publisher:
Publish Date: 2006-05-01
Features: This book outlines the development and evolution of color in Chinese painting, showcasing its achievements and pitfalls, and delves into aesthetics and cultural studies. It discusses the Five Elements and Five Colors, Confucian and Taoist color perspectives in turn. Furthermore, it explores the philosophical foundation and cultural depth of green mountains and clear waters painting through the integration of Confucianism, Taoism, and Buddhism, as well as the absorption of the Five Elements and Five Colors. It also interprets the mindset of scholars, aesthetic ideals, and social and humanistic motivations behind literati ink painting through the fusion of Laozi, Zhuangzi, Xuan, and Chan thought, as well as the influence of Confucian Lu Xinxue. In the end, the book conducts a comparative study of Chinese and Western painting colors, concluding that in the era of global integration, maintaining between the East and West, removing their respective shortcomings, and comprehensively building the contemporary image of Chinese painting colors and Chinese culture from a more humanistic and healthy perspective should be our highest ultimate concern. This is also the way to open up the dimension of aesthetics and the door of existence.
Ink Rhythm and Colorful Chapters – Exploring the Aesthetics of Color in Chinese Painting
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