Author: Zhang Hongsheng
Publisher:
Publish Date: 1999-09-01
Features: This book examines several important aspects of Qing Dynasty Ci poetry, including political Ci, Ci on objects, love poems, women's Ci, selected collections, and Qing Ci schools. It aims to make the discussed subjects representative, enabling an analysis of how Qing Ci surpassed its predecessors from different perspectives, explores the essential spirit of Qing Ci's development, explains the significance of its revival, and thus provides a clearer understanding of Qing Ci. Correspondingly, the book adopts a "middle-range" research approach, raising issues to a certain height after clarifying basic facts, striving to make generalized conclusions with a sense of regularity. In terms of writing intent, it seeks to avoid both overly vague and overly trivial tendencies, ensuring that the arguments are both solid and theoretically grounded. Additionally, it consistently examines literary phenomena within a specific socio-cultural context, while treating creation and theory as an integrated whole. By revealing the process where creation influences theory and theory, in turn, guides creation, with both intersecting and permeating each other, the book aims to uncover the inherent logic of literary history development. This is a particularly pursued aspect of the book.
Construction of Qing Dynasty Ci Studies
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