Contemporary Chinese Art Collection -- Flowers and Birds Volume 1

Author: Guo Yizhu
Publisher:
Publish Date: 2006-02-01
Features: Contemporary Chinese flower-and-bird painting emerges from the contradiction between inheriting and transforming ancient flower-and-bird painting. On one hand, it inherits the aesthetic tradition of ancient Chinese painting, drawing more direct inspiration from the styles of the Ming and Qing dynasties, and is driven by the broader cultural context of the 20th century, resulting in numerous variations in its aesthetic character. On the other hand, its major influences come first from political changes and corresponding ideological revolutions, as well as a sociocultural factor—the impact of Western learning. The Western tide not only created a coexistence of Chinese and Western art in Chinese art as a whole but also opened a new channel for flower-and-bird painting to integrate Western techniques. From the perspective of style, contemporary flower-and-bird painting represents a new landscape where creative transformations of the three traditional styles—freehand brushwork, semi-ink-and-paint, and meticulous brushwork—coexist with new styles born from the application of Western learning.
The Xinhai Revolution of the early 20th century overthrew the imperial system, marking the end of literati flower-and-bird painting, which had been the mainstream form in the late feudal society. The massive social changes of the 1950s ushered in a new era of flower-and-bird painting dedicated to celebrating the spirit of the times and adopting the aesthetic standards of the masses. The Cultural Revolution brought near-total devastation to flower-and-bird painting. The new era of reform and opening up, however, allowed flower-and-bird painting to achieve unprecedented individual expression and linguistic freedom. During this period, the historical transformation of literati freehand brushwork achieved remarkable results; the semi-ink-and-paint style underwent renewal, with masters emerging in each generation; meticulous brushwork style reconnects with the Song Dynasty and experienced a resurgence; and the new style that integrates Chinese and Western techniques became the trend of the time. The coexistence and complementarity of these various styles have created a diverse and outstanding landscape in contemporary Chinese flower-and-bird painting, unparalleled in any other period in history.
The Complete Collection of Contemporary Chinese Art: Flower-and-Bird Volume is divided into two volumes and arranged in chronological order by the birth years of the artists. It includes 681 works by 62 influential artists active in the contemporary art scene. From this collection, one can glimpse the highest level and overall style of contemporary flower-and-bird painting, as well as fully understand the artistic characteristics and individual creativity of each artist. It holds significant value for academic research and promoting the development of flower-and-bird painting.