Wang Jun

Author: Jia Dejiang, Editor-in-Chief
Publisher:
Publish Date: 2006-07-01
Features: Wang Jun consciously places his art on a spiritual level. His works transcend objective phenomena and possess more subjective characteristics of the heart and mind. When facing real mountains and waters or wielding his brush, he embodies a sensually vivid form of charm and visual pleasure. As brush and ink are the fundamental language elements of Chinese painting, in Wang Jun's works, they are used selectively. Traditional brush and ink techniques, composition, symbols, and even spatial awareness have all been transformed. Whether moving from the countryside to the city or from the city to the mountain village, this not only signifies a change in the subject matter but also implies that the expressive techniques adapt accordingly to the changing subjects. Of course, Wang Jun's borrowing is measured. He introduces the value factors of modern art into his works without losing the warmth of humanistic spirit. All evidence shows that the young painter Wang Jun, in the midst of historical transformation, is returning to art itself through his artistic thoughts and practices. He strives to combine the materialized forms of life and cultural spirit. His achievements are undeniable, and his belief and practice in climbing to a higher realm leave an unforgettable impression.