Triangle Dialogue (Stanislavski, Brecht, and Chinese Theatre)

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Features: The purpose of this book is, against the backdrop of the dialogue of civilizations in the 20th century, to review the dialogue between the Chinese theater world and Russian theater director Stanislavski, German theater director Brecht, summarizing China's experience and lessons in absorbing foreign theater culture and carrying out cultural exchanges, and further exploring several theoretical issues. The book is richly illustrated and written in both Chinese and Russian, divided into two parts. It examines the interactive relationships between Russian theater master Stanislavski, German playwright Brecht, and Mei Lanfang, Jiao Juyin, representing Chinese playwrights, as well as the intersection and impact of the theatrical concepts and aesthetic systems they represent. The content covers 12 chapters, including the criticism of Stanislavski's system and the destruction of dialogue art during the "Cultural Revolution," the debate on theatrical concepts and the turn of Chinese spoken drama, the "Brecht fever" and its issues, and more.