Paris 1900 (Miscellaneous on History and Culture): Spine or cover has flaws

Author: (French) Zeng Luoxiaosong, translated by Wang Dianzhong
Publisher:
Publishing Date: 2005-01-01
Features: In 1900, Paris was in the vibrant "Belle époque." The completion of the Eiffel Tower and the 1900 Paris World Exposition brought the city, renowned as the "City of Flowers," to a flourishing scene. This atmosphere of prosperity and celebration continued until the outbreak of the World War. This book traces the cultural elites of this period in Paris, delves into the transformation of its social and cultural landscape, analyzes numerous figures and events, and vividly showcases the origins of modern French culture. For Chinese readers, this is a rare and valuable read introducing French culture, sharing the same significance as the documentary "Paris 1900" shown in the recent "French Film Exhibition." It is indeed an invaluable "social portrait of Paris in the early 20th century."
Around 1900, Paris was at its zenith. The Eiffel Tower was constructed, and the subway was built. Cultural figures like Fédor, Couturier, and Rodin were celebrated. Paris became a grand stage where cultural elites showcased their talents, creating myths and ultimately conquering the city. Is this legendary city of Paris always alive in people's imagination? Is its urban space overshadowed by the realm of culture it has built? Paris is also a mirror. Through this mirror, one can explore the inner workings of this "small world," observe the transformation of elite culture amid the rapid growth of mass culture, and witness the elite's response to the challenges posed by mass culture. Paris is examining itself in this mirror.
In 1900, Paris was in the vibrant "Belle époque." The completion of the Eiffel Tower and the 1900 Paris World Exposition brought the city, renowned as the "City of Flowers," to a flourishing scene. This atmosphere of prosperity and celebration continued until the outbreak of the World War. This book traces the cultural elites of this period in Paris, delves into the transformation of its social and cultural landscape, analyzes numerous figures and events, and vividly showcases the origins of modern French culture. For Chinese readers, this is a rare and valuable read introducing French culture, sharing the same significance as the documentary "Paris 1900" shown in the recent "French Film Exhibition." It is indeed an invaluable "social portrait of Paris in the early 20th century."