Ink. Color - Rhapsody in Eastern and Western Painting

Author: Yangkou
Publisher:
Publish Date: 2006-09-01
Features: Zhao Mengjian's ink orchid painted with wine; Zheng Banqiao's "It's Better to Be Ignorant"; Xu Wei's ink wash painting; the short-lived genius and the long-lived master - the Italian painter Modigliani; the painter Van Dongen with bold and vibrant colors; Raphael, who painted nearly three hundred Madonnas in his lifetime. This book collects dozens of articles on the techniques of ink and color in Eastern and Western painting. The text is precise, the analysis is incisive, and it is suitable for painting enthusiasts and researchers to read. Chinese painting uses scattered perspective, while Western painting uses linear perspective, which is the fundamental difference between Eastern and Western painting. In the late 20th century, Western art moved from classicism to impressionism and then to the emergence of abstract painting, leading to the disintegration of the Western painting system and the creation of many works influenced by Eastern spirituality. For example, Picasso's famous "Guernica" employs scattered perspective, and artists like Miró and Chagall are also accustomed to using this method. This demonstrates that Eastern painting has provided many pathways for the development of Western painting. Similarly, modern Chinese painting not only learns Western techniques but also introduces a new genre—oil painting. If Chinese people have learned Western painting, it is more accurate to say they have learned Western perspective methods. Look at how from the initial sketches of students to later thematic creations, this method is consistently used. This book is divided into two parts: Ink Wash and Color, collecting dozens of reviews on Eastern and Western painters and famous paintings. The critiques are precise, the analyses are thorough, and it is worth reading. Zhao Mengjian's ink orchid painted with wine; Zheng Banqiao's "It's Better to Be Ignorant"; Xu Wei's ink wash painting; the short-lived genius and the long-lived master - the Italian painter Modigliani; the painter Van Dongen with bold and vibrant colors; Raphael, who painted nearly three hundred Madonnas in his lifetime. This book collects dozens of articles on the techniques of ink and color in Eastern and Western painting. The text is precise, the analysis is incisive, and it is suitable for painting enthusiasts and researchers to read. Chinese painting uses scattered perspective, while Western painting uses linear perspective, which is the fundamental difference between Eastern and Western painting. In the late 20th century, Western art moved from classicism to impressionism and then to the emergence of abstract painting, leading to the disintegration of the Western painting system and the creation of many works influenced by Eastern spirituality. For example, Picasso's famous "Guernica" employs scattered perspective, and artists like Miró and Chagall are also accustomed to using this method. This demonstrates that Eastern painting has provided many pathways for the development of Western painting. Similarly, modern Chinese painting not only learns Western techniques but also introduces a new genre—oil painting. If Chinese people have learned Western painting, it is more accurate to say they have learned Western perspective methods. Look at how from the initial sketches of students to later thematic creations, this method is consistently used. This book is divided into two parts: Ink Wash and Color, collecting dozens of reviews on Eastern and Western painters and famous paintings. The critiques are precise, the analyses are thorough, and it is worth reading.