Four Ink Collection Maps

Author: Ye Gongchuo
Publisher:
Publishing Date: 2006-04-01
Features: Ink is one of the unique cultural stationery treasures of China. It emerged in the early 10th century during the Five Dynasties period due to the need for cultural exchange. Over time, skilled artisans emerged, and the quality of ink became increasingly refined. Moreover, because scholars and officials not only used ink but also participated in its design, production, and collection, ancient ink became both a cultural tool and an extremely precious cultural artifact. It carries profound meaning, exhibits exquisite craftsmanship, and embodies perfect and elegant artistry. Recently, I have gained new insights into ink: it possesses a near-magical charm that captivates people, or perhaps it can be called "those who are close to ink are enchanted." Su Shi's poetic descriptions of "ink obsession" refer to the "ink-filled rooms" of ink enthusiasts, and similar figures have appeared throughout history. The reprinting of this book across centuries is also a testament to the charm of ink. The four authors of this book, with vastly different backgrounds, experiences, and occupations, were strangers who came together through their shared love of ink, forming a close bond and working in perfect harmony—a reflection of the magical allure of ink.
The past is like smoke, yet the memories of the four authors' laughter and expressions remain vivid. In the 1950s and 1960s, they would gather two or three times a month to discuss ink, admire its wonders, and analyze its mysteries. Beyond observing physical specimens, they referred to historical records and ink catalogues, meticulously studying and sharing their insights. Though each had their own unique perspectives, they respected one another deeply and shared a profound friendship.
Recalling those times, the publication of The Catalogue of Ink Collections by Four Masters was a monumental challenge in terms of both form and funding, yet the work was completed in an exceptionally harmonious atmosphere, a testament to their shared purpose. Their unity lay in cherishing the cultural heritage of their homeland, their patriotic fervor, and their willingness to take on the responsibilities of their era, bridging the past and the future. Their alignment of values was in dedicating their passions and efforts to their country and future generations.
Today, the collecting of cultural relics has become commercialized. The reprinting of this book serves as both a solace and a for the spirits of the four authors and a valuable reference for those who follow in the ink world. Ink is one of the unique cultural stationery treasures of China. It emerged in the early 10th century during the Five Dynasties period due to the need for cultural exchange. Over time, skilled artisans emerged, and the quality of ink became increasingly refined. Moreover, because scholars and officials not only used ink but also participated in its design, production, and collection, ancient ink became both a cultural tool and an extremely precious cultural artifact. It carries profound meaning, exhibits exquisite craftsmanship, and embodies perfect and elegant artistry. Recently, I have gained new insights into ink: it possesses a near-magical charm that captivates people, or perhaps it can be called "those who are close to ink are enchanted." Su Shi's poetic descriptions of "ink obsession" refer to the "ink-filled rooms" of ink enthusiasts, and similar figures have appeared throughout history. The reprinting of this book across centuries is also a testament to the charm of ink. The four authors of this book, with vastly different backgrounds, experiences, and occupations, were strangers who came together through their shared love of ink, forming a close bond and working in perfect harmony—a reflection of the magical allure of ink.
The past is like smoke, yet the memories of the four authors' laughter and expressions remain vivid. In the 1950s and 1960s, they would gather two or three times a month to discuss ink, admire its wonders, and analyze its mysteries. Beyond observing physical specimens, they referred to historical records and ink catalogues, meticulously studying and sharing their insights. Though each had their own unique perspectives, they respected one another deeply and shared a profound friendship.
Recalling those times, the publication of The Catalogue of Ink Collections by Four Masters was a monumental challenge in terms of both form and funding, yet the work was completed in an exceptionally harmonious atmosphere, a testament to their shared purpose. Their unity lay in cherishing the cultural heritage of their homeland, their patriotic fervor, and their willingness to take on the responsibilities of their era, bridging the past and the future. Their alignment of values was in dedicating their passions and efforts to their country and future generations.
Today, the collecting of cultural relics has become commercialized. The reprinting of this book serves as both a solace and a for the spirits of the four authors and a valuable reference for those who follow in the ink world.