Author: Yu Runyang
Publisher:
Publish Date: 2005-12-01
Features: Music aesthetics has made significant progress in the past two decades. This book collects 29 papers written by faculty and graduate students of the Central Conservatory of Music, spanning nearly two decades. The content covers both core issues of music aesthetics, such as the existence, essence, and function of music, as well as fundamental theoretical problems in music practice, including music composition, performance, and appreciation. It also includes research on Chinese and Western music aesthetics, studies on key figures and works in the history of Chinese and Western music aesthetics, and encompasses all fields of music aesthetics. It serves as both a microcosm of the development of music aesthetics in China over the past two decades and a must-read reference for studying and researching music aesthetics.
Selected Writings on Music Aesthetics
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