Beauty and Sorrow: A Real Lin Huiyin

Author: Tian Shiyu
Publisher:
Publish Date: 2004-02-01
Features: Lin Huiyin's beauty lies in her appearance. Two small braids, bright and spirited eyes, exquisite features with a sculpted beauty, a smile on her left cheek, light-colored short-sleeved shirt, and a black silk skirt reaching only to her knees, as if she were a floating fairy. Lin Huiyin's beauty also lies beyond her appearance. She read extensively, had a lively anding mind, clear and fresh insights, and a deep understanding and comprehension of literary works that surpassed her age. This was her beauty of wisdom. She loved her friends, and with friends around, her thoughts were open, her words were like pearls, and her artistic and intellectual inspiration was like lightning striking stone, creating exquisite carvings, hollow doors and windows, and beautiful railings. This was her beauty of character—she had an endless amount of beauty.
In people's memories, Lin Huiyin was often not just a "clean and simple" "individual." She seemed to be the one Lin Zhi-mo missed, loved, made cry, and disappointed; she appeared to be only the granddaughter-in-law of Liang Jun-gong and the wife of Liang Sicheng. Her identity as an outstanding female architect and her unique status as a female poet were lost. She became an old negative, a vague symbol, a complement to many famous people—she had an endless amount of sorrow.
A real Lin Huiyin was a symbol of beauty and wisdom. As a daughter, she was always her father's pearl in the palm; as a woman, she was favored by three outstanding figures in China; as a writer, her few works are still; as a female architect, her footsteps almost covered China. She not only had a beautiful appearance but also had a witty and humorous way of speaking, an elegant and charming temperament. With sincerity and tolerance, she stood at the center of the magnetic field like a magnet, attracting everyone to her "Mrs. Lin's study" for that "spiritual feast." She listened to her friends' passionate discussions with an exquisite posture and often responded enthusiastically to their viewpoints. When she was happy, she had to share it with her close friends; when she was sad, she drew strength from her friends to quickly step out of the shadows of life.
Reasons to read this book: Her life was a glorious one. She was the main designer of the national emblem of the People's Republic of China, contributed her scientific research to the design of the pattern on the Monument to the People's Heroes, and made great contributions to rescuing the national craft of Jingtailan. She was not only an outstanding female architect who made great contributions to China's architectural cause but also left the world a perfect and strong female figure.
Recommended for the following groups to read this book: All beautiful and unbeautiful men and women, all intelligent and unintelligent men and women, all men and women in the "" who want to make a "big name," all men and women who have studied at university or are currently studying or working there, from doctoral supervisors to undergraduates.
Lin Huiyin's beauty lies in her appearance. Two small braids, bright and spirited eyes, exquisite features with a sculpted beauty, a smile on her left cheek, light-colored short-sleeved shirt, and a black silk skirt reaching only to her knees, as if she were a floating fairy. Lin Huiyin's beauty also lies beyond her appearance. She read extensively, had a lively anding mind, clear and fresh insights, and a deep understanding and comprehension of literary works that surpassed her age. This was her beauty of wisdom. She loved her friends, and with friends around, her thoughts were open, her words were like pearls, and her artistic and intellectual inspiration was like lightning striking stone, creating exquisite carvings, hollow doors and windows, and beautiful railings. This was her beauty of character—she had an endless amount of beauty.
In people's memories, Lin Huiyin was often not just a "clean and simple" "individual." She seemed to be the one Lin Zhi-mo missed, loved, made cry, and disappointed; she appeared to be only the granddaughter-in-law of Liang Jun-gong and the wife of Liang Sicheng. Her identity as an outstanding female architect and her unique status as a female poet were lost. She became an old negative, a vague symbol, a complement to many famous people—she had an endless amount of sorrow.