Author: Yu Nai
Publisher:
Publish Date: 2006-01-01
Features: Wanting to return to those years when you were around, when the city had not yet been completely corrupted, and people were not as awful as they are now. As a child, I used to play the game of creating sentences with time, place, and character. The world's end, a suburban villa, seven girls and three young men. These three elements were woven together by the Italian writer Giovanni Boccaccio into the world-famous classic The Decameron. Boccaccio's greatness lies not in the fact that others cannot discover these elements, but that if someone else were to write and narrate them, the truth might result in a very different work. The design concept of the book cover is in the standard style of Salvador Dalí. The elegant and luxurious architecture in the center of the painting is hollowed out in a rectangle and supported by an unknown sword, symbolizing that behind magnificent things often lies an unseen and powerful force. Since it is surreal, it means that even if you don't understand it, that's okay. Moreover, such invincibility seems to exist only in the scenes of the novel. It's like in the animation, Kenjiro always likes to rip his clothes before unleashing his moves. Such expressions of anger are reasonable and feasible in comics. But now, you're not allowed to do that.
That year, we were invincible
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