Research on the Relationship Between Scenery and Emotion in Ancient Chinese Poetry

Author: Wang Deming
Publisher:
Publish Date: 2005-01-01
Features: In this book, I have shared some personal views, which are of great significance for inspiring people to think. For example, why did ancient Chinese people's exploration of poetic scenes shift from the relationship between poets and external objects before creation to the internal relationship of scenes in poetry only by the Tang Dynasty? This was something that past people often overlooked. In this book, I believe that once poetic creation was universally valued by the whole society, poetic education played a very important role. After poetic theory shifted to "how to write," the combination of scenes during creation became an inevitable topic. Such issues and views, though not greatly beneficial to the study of the relationship between scenes and poetry in ancient Chinese poetry, still offer some small contributions. I hope this book can contribute its modest efforts to the study of ancient Chinese poetry.
This book is divided into three parts. The first part primarily researches and explores the theory of the relationship between scenes and poetry in ancient Chinese poetry, tracing the evolution and development of the theory from a vertical perspective. The second part also mainly studies the evolution and development of the theory of the relationship between scenes and poetry in ancient Chinese poetic creation from a vertical perspective. When elaborating on the developmental trajectories of each part, the intention is also to explore the relationship between creation and theory in the relationship between scenes and poetry in ancient Chinese poetry. The third part studies and discusses some common issues in the creation and theory of ancient Chinese poetry from a horizontal perspective, and has a certain degree of independence.