Okay, here is the translation following your instructions: A Sigh and Three Whispers on Literature

Author: Wang Binbin
Publisher:
Publish Date: 2005-12-01
Features: This series consists of 10 volumes, each a collection of selected research findings by various critics since the 1990s. They include: Wang Binbin's On Literature: Three Sighs and Three Whispers, Wang Gan's The Age of Watering, Huang Fayou's Media Manufacturing, Li Jianjun's Necessary Opposition, Zhang Qinghua's Elegy for Paradise, He Zhongming's The Measure of Truth, Zhang Xueshen's Aesthetic Narration, Zhang Xinyong's Opening Our Literary Understanding, Yang Yang's Infinite Growth, and Zhang Yiwu's The Image of a New China. As representatives of young critics in the "e-era," they approach contemporary literary creation from diverse perspectives with distinct critical styles—some profound and incisive, some sharp and unique, some rigorous and solid, and some free and unrestrained. They express their conscience, justice, and responsibilities as literary critics, offering insightful and distinct views on current literary phenomena, the nature of literature, literary development, and specific works. Bypassing superficialities, they delve into the essence of contemporary literature, revealing its true state and spiritual trajectory. It can be said that the rise and fall of China's literary scene in recent years, as well as significant writers, works, and breakthroughs in literary theory, have been discussed and summarized in these critics' writings. Behold, they have arrived (Preface)
Autobiographical Preface
Part 1
Lin Daojing, Liu Shigu, Jiang Mei, and Lusha—Contemporary Literature's Narration of Intellectuals and Revolution
The "Urban Literature" in Contemporary Times: From Between Husband and Wife to The Gourmet
The Transformation of the Ruffian—On Wang Shuo's Novels
Chinese Writers Who Are Too Clever—Part 1
Chinese Writers Who Are Too Clever and Others—Part 2
Yu Hua's Mad Words
Can Reshui and Yu Hua Be Called "True Scorn"?—A Comparison Between Reshui, Yu Hua, and Lu Xun
Night Wanderers Under the Wall—On Bi Feiyu's Novel I and the Temple of Earth
Novelistic Suspicion—On the Novel The Novel of I and the Temple of Earth
I Admire Wang Xiaobo
I Like Wang Zengqi, But Not Bound by Chicken Feathers
Wang Zengqi Also Excels in Writing Villains—On Chicken Feathers
Birds Are Better Than Donkeys and Foxes—About The Last Elegy
Scholar's Wrath and Poet's Concern—On He Manzi and Shao Yanyang
Essays and Comedies
Hua and Hu—An Impression of Zhu Wenying's Novels
Metaphors Built Fortress Besieged—Qian Zhongshu's Study and Application of Metaphors
Part 2
The Limits of Conscience—He Qifang as a Cultural Phenomenon
Critique of the Literary Path
The "Reputation" of Qu Qiubai
The True Face of Deng Tuo
"Chairman? Which Chairman?"—"Underground Work" and "Armed Struggle" in Revolutionary Model Plays
Has the "Cultural Revolution" Ended?—A Discussion with Mr. Hao Tiechuan
The So-Called "Red Classics"
Understanding Haoran's Essay Collection Commentaries on the Taiping Heavenly Kingdom
Low Requirements for Television Dramas
What Brought to Them
Jin Yong: The Myth of Popular and Scholarly Appeal
Facing "Jin Fans"
Rethinking the "Cognitive Value" of Fiction—Inspired by Milan Kundera
The Reception and Rejection of Kundera in Contemporary China
"Being in" but "Not Belonging" to Two Societies—Reading Kundera's New Novel Ignorance
Part 3
Two Basic Purposes of Primary and Secondary School Chinese Education
Are We Qualified to Talk About Reading Classics?
Revisiting the Debate on Reading Classics
What Is "Quality Education"?
Talent and Sentiment
The Courage to Be Conservative
"Novelized Prose"—A Concept That Is Difficult to Define
The "" of the "Folk"
Random Thoughts on Literary Awards
Literary Awards Were Once My God
Art Criticism of the "Outsider"
On the of Literary Fame—A Brief Discussion of Criticism
I—Theoretical Courage and Aesthetic Confidence in Breaking and Establishing—Reading Li Jianjun's Studies on Novel Rhetoric
The Concealed and Misunderstood—Reading The Main Currents of Chinese Fiction in the New Period
How Much More Absurd?
A Call for Authority
Critiquing Authority
Academic Norms and Standards
The Snoring Sound Left on the Shanghai-Nanjing Line—In Memory of Chen Duxiu's Sixtieth Death Anniversary
No Master in the World of Critiquing Lu
From the "Tail" to the "Head"—Rebuttal of Wang Dewei's From the "Head" to the "Tail"
Hu Shi's "Lowest Limit"
Hu Shi in Tang Degang's Portrayal
Hu Shi's "Second-Hand Dealer" and Our "Third-Hand Dealer"
The Scoundrels in Lu Xun's Works—Also on Lu Xun's Critique of Ruffian Culture
"Animals Fighting"
Unsettled Questions—One Aspect of the Comparison Between Lu Xun and Hu Shi
A Study Plan for Reading Research on the Comparison Between Hu and Lu
Open, Keen, and Pragmatic "Problem Awareness"—Reading Lu Xun in Multidimensional Perspectives
Academia Beyond the Walls—Preface to Fang Dongxing's Mountain Pavilion Collection
The "Anti-Party" of the Erhu—On Hu Shi and Hu Feng
Afterword: Under the Banner of the May Fourth Movement—On Wang Binbin