Author: Yang Yuanying
Publisher:
Publish Date: 2005-12-01
Features: This book is part of the "Series on the Research of 100 Years of Chinese Cinema," tracing generational transformations as its thread. It attempts to explore and describe the spiritual temperaments and paths of directors from different cultural backgrounds across various generations through genealogy, showcasing the historical trajectory of the constant reshaping of cinematic concepts and symbolic codes under different social conditions. This series is a generous gift from the film theory community to celebrate the 100th anniversary of Chinese cinema.
This book is part of the "Series on the Research of 100 Years of Chinese Cinema," tracing generational transformations as its thread. It attempts to explore and describe the spiritual temperaments and paths of directors from different cultural backgrounds across various generations through genealogy, showcasing the historical trajectory of the constant reshaping of cinematic concepts and symbolic codes under different social conditions. This series is a generous gift from the film theory community to celebrate the 100th anniversary of Chinese cinema.
As early as a century ago, cinema began to become a cultural and entertainment medium with a broad popular base and social influence. Through the combination of comprehensive art and high technology, cinema has demonstrated to the world the immense power of human creativity in creating culture, history, spiritual wealth, and material wealth. For a long time, cinema has been widely hailed as a cultural and entertainment medium with strong artistic vitality, cultural, and social influence.
After the founding of New China, Chinese cinema has achieved one new peak of development after another. Especially since China's reform and opening-up in the 1980s, the Party and government have successively implemented a series of major measures to promote the reform, opening-up, and development of the film industry. A batch of preferential policies have been introduced to promote film development, creative prosperity, and international cooperation, greatly boosting the enthusiasm and creativity of industry professionals and social forces.
Film Authorship and Cultural Representation: A Study of the Genealogy of Chinese Film Directors
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