Learn to Sing with Bel Canto Method Volume: (Revised Edition) — Learn with Me Series

Author: Wang Ruxiang
Publisher:
Publish Date: 2003-01-01
Features: After reading Learn to Sing with Me·Bel Canto Method, I had a positive impression. This volume is both accessible and concise, offering a comprehensive and accurate overview. It provides a precise explanation of the definition, development, and core elements of bel canto singing. The section on "opening the throat" is particularly well-explained, drawing on various sources to offer insightful analysis, clarifying some controversial statements—this is a highlight of the volume.
Within the book, it boldly proposes a comparative analysis of Italian vowels and Chinese finals, concluding that "although there are many vowels in Chinese and their structures are complex, they all rely on five vowel sounds as a foundation, regardless of how pronunciation changes." This argument emphasizes the extension of the syllable body, addressing the conflict between articulation and resonance. It introduces the view that "consonants come first, vowels are unified afterward, and resonance is positioned in the mask," highlighting the dialectical relationship of "relative independence and relative coordination" among the three elements.
This approach sheds light on long-standing issues in vocal language, exploring a path toward harmonious coordination and unity between syllables, voice, and resonance in Chinese singing. It cleanses the flaws of sacrificing vocal quality for clarity, disjointed resonance, and unclear language. Without vowel connection, it is difficult to truly embody bel canto singing; without the dialectical integration of voice, resonance, and syllables, the distinctive features of Chinese vocalization would be compromised. In my opinion, this is a valuable exploration.