Author: Ding Guoqi
Publisher:
Publish Date: 2005-08-01
Features: Whether it's Hemingway, Lawrence, Sartre, or Picasso, they all distinguished themselves through outstanding artistic achievements. When reviewing the emotional archives of these celebrities, we astonishingly discover the weight of emotions in their lives: Picasso's artistic style was closely tied to the women he interacted with; Hemingway's creativity fluctuated with the ups and downs of love; the origin of the name "George Sand" directly proves his inseparable dual identity with art and emotion. They are celebrities, and their emotional stories are just exceptions— their love and being loved lack reproducibility in ordinary life. Ordinary people lack the capacity to endure such love and can only live ordinary lives, enjoying ordinary love and being loved. Love between men and women is an equation where there is only a multiplier but no fixed multiplicand. Who doesn't long for perfection? Who doesn't wish for the multiplicand to be magnified, stirring the passionate heart of love? Yet in this world, has there ever been perfection? Vows of eternal love are always unable to withstand the unexpected encounters that come along; once-passionate flames are always unable to endure the relentless grinding of time; the physical body, like a tree, inevitably withers day by day, while the unchanging love always yearns to burst into romantic brilliance at any moment. While enjoying the passion of love, they also have to bear the inevitable disillusionment and helplessness that will inevitably come. Before Salome, a man's pain is always nothing but awkward self-pity; and in Hemingway's life, no matter how good a woman may be, she cannot expect marriage to stop him from pursuing other women. Love is a game. The strong will always remain strong, their love fierce and bold; while the weak will always remain weak, and what belongs to them is only sorrow and melancholy.
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