Basic Techniques and Training of Running Script in Mi Fu's "Shu Su Tie" - Large Character Spectrum

Author: Lu Youzhu
Publisher:
Publishing Date: 2005-08-01
Features: The Shu Susu scroll is unrestrained and free-spirited, with bold and dynamic brushwork, flying and turning strokes, and infinite variations. The two Imitation of the Ancients poems initially adopt a running script style, becoming increasingly spirited and unrestrained toward the end, with an ethereal and transcendent aura. Mi Fu favored a brushwork style that "emerges from all eight directions," full of unpredictable changes. This scroll features diverse brushwork techniques, including oblique and vertical strokes, hidden and revealed lines, varying lengths and thicknesses, and countless forms, fully embodying his unique "brushing" style. The Shu Susu scroll exhibits an unconventional and unrestrained structure, dynamic and fluid transformations, effective scaling and spacing, and a harmonious interplay of leaning and upright forms. The characters are graceful and elongated, with a fluttering and elegant demeanor, arranged withness and freedom. The brushwork is bold and unrestrained, agile and dynamic, combining both square and round forms, with a balance of firmness and suppleness. In hidden strokes, a hint of sharpness is revealed, while in exposed strokes, subtlety is evident. The hanging-drop endings abruptly stop, resembling a swift knife cut, while the needle endings vary in direction, sometimes curved or straight. The pressing and lifting of the brush are distinct, with strong and flexible connecting strokes. The brushwork ranges from thick to thin, without conflict or discord, balanced between central and oblique angles, neither dry nor moist. In terms of composition, the dense brushwork contrasts sharply with large expanses of white space, while heavy strokes alternate with light lines. The smooth brushwork complements the (stiff and jerky) touch, creating a dynamic and majestic rhythm that perfectly blends with a calm and dignified stillness. This unique composition forms the distinctive layout of the Shu Susu scroll. In summary, the unrestrained brushwork, unconventional structure, and balanced composition completely break away from the peaceful and simple calligraphy styles of the Jin and Tang dynasties, creating a vibrant and spirited artistic realm. Thus, the Qing scholar Gao Shiqi once praised this scroll in a poem: "Shu silk woven with bird-thread boundaries, Mi Fu's writing surpasses Ou and Yu's school. Venturing into the Wei and Jin, it embodies naturalness, like a galloping horse amidst wind and waves, utterly exhilarating."