Here is the translation of the provided content: "Blessing to Ming Yunming's small regular script Thousand Characters" Note: The "" (carriage return and line feed) was kept as instructed, and all other Chinese text has been translated into English.

Author: Zhu Yunming (Ming Dynasty)
Publisher:
Publish Date: 2003-01-01
Features: Zhu Yunming (1460-1526), styled Xizhe, styled Zhishan due to a branch-shaped finger on his right hand. Known as "Zhu Jingzhao," he was from Changzhou (now Wuxian, Jiangsu). He was exceptionally intelligent from a young age, writing one-foot-square characters at the age of five and composing poems by nine. In the fifth year of the Hongzhi era (1429), he passed the provincial examination but failed the imperial examinations thereafter. In the ninth year of the Zhengde era (1514), he was appointed as the magistrate of Xingning County, Guangdong. In the first year of the Jiajing era (1522), he was transferred to the position of Tongpan of Yingtian Prefecture (now Nanjing) and soon returned to his hometown due to illness.
Zhu Yunming was skilled in poetry and prose, particularly renowned for his calligraphy, which gained fame both within and beyond China. Together with Tang Yin, Wen Zhengming, and Xu Zhengqing, he was known as one of the "Four Talents of Wuzhong." He excelled in poetry and calligraphy, with his small regular script tracing its roots to Zhong Yao and Wang Xizhi, his running script learning from Huang Tingjian, and his cursive script emulating Huai Su. His brushwork was vigorous yet versatile, allowing him to develop a distinctive style. Along with Wen Zhengming and Wang Chong, he represented the calligraphers of the mid-Ming Dynasty. His surviving works include the small regular script The Memorial on Sending Out the General; the cursive script Scroll of Falling Flowers Poem and Scroll of the Legend of the. He also authored The Collection of Huaxing Hall and compiled The Annals of Xingning County. This is a calligraphy scroll by Zhu Yunming titled Thousand Characters, with the date and month inscribed at the end as "the ninth day of the ninth month in the second month of the Chenghua era (Bingmao)," when Zhu was twenty-six years old, making it an early work. While the character forms and brushwork lack the extraordinary elegance and freedom, they excel in their stability and expressiveness. His style draws inspiration from Zhong Yao's Xuanshi Table while incorporating the brushwork of the Wang family (Wang Xizhi and Wang Xianzhi). He was not rigidly bound to the forms of strokes but already showed the emergence of his own distinctive style in the overall composition and spiritual resonance.