Naked Bloom: Zhang Rongliang: Past and Present

Author: Zhuo Dan
Publisher:
Publish Date: 2003-04-01
Features:
A "previous life" version of "Ashes of Time" - "I'm like a bird without a perch, I can only fly and fly, if I stop, I'll die." Zhang Huairong's previous life, a melancholic + striving + rebellious + root-seeking version of "Ashes of Time." 1977–1982 "The Initial Rise of the Red Chamber"
During this period, Zhang Huairong had a slightly magnetic voice, but compared to the great figures like Guan Zhengjie, Ye Zhen Tang, and Zheng Shaoqiu, his youthful tone seemed to suffer from a congenital anemia. When talking about the breakthrough albums like "ILikeDreaming" and "Lover's Arrow," even he himself might shake his head in disbelief. This period, much like Zhang Huairong's debut on screen - "Spring Comes to the Red Chamber," was just the awakening of youth, filled with endless imagination.
1983–1986 "Fire of Youth"
Zhang Huairong began his extraordinary journey to stardom. During this period, he was always surrounded by the blue of youth, rather than the safe yellow. He became Hong Kong's all-around male singer, fast and slow. In the 1986 album "Stand Up," Zhang Huairong, wearing sunglasses, strumming a guitar, danced wildly in the night streets like a frogman with sharp tactile senses, becoming an "independent declaration" in the non-independent era.
1987–1990 "When the Wind Rises Again"
The summer of 1987 was really hot, and Zhang Huairong's "Summer Romance '87" ignited a fierce fire. This was indeed a signal that Zhang Huairong was fully surpassing. In the summer of 1988, Zhang Huairong's fire burned even hotter, and even the album was named "Hot Summer." His expression became even more unrestrained. "Red" created a completely new Zhang Huairong brand, deep blue, Zhang Huairong, who was over forty, was once again popular at the turn of the millennium in Hong Kong.