Author: Li Weiming
Publisher:
Publish Date: 2005-06-01
Features: In the debate over whether Chinese and Western art can be compatible and whether the results of such compatibility hold existential value since modern times, we have even developed a deeply ingrained complex: you must prove that you have truly reached a masterful level of proficiency in both Chinese and Western art before you can achieve the possibility of making your compatible results perfect, as described by the Chinese term "harmonious integration." Thus, discussing methods has become a fashionable trend with sustained high heat in the 20th century. — Li Weiming
This book focuses on case studies of Cantonese artists active on the stage of Chinese art in the 20th century, covering a wide range of interactions and developments between social politics, artistic concepts, artistic languages, and image styles in 20th-century Chinese society. Viewing art issues as an integral part of Chinese culture as a whole, the author emphasizes the empirical nature and precise historical awareness of art research, which is the academic approach and style he strives to uphold. All the essays are written based on reliable hand materials.
Images and History: Essays on Twentieth-Century Chinese Art
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