Kemu Chanqin

Author: (Qing) Shi Kongchen
Publisher:
Publishing Date: 2005-03-01
Features: The Kumu Chan Qin by Qing Shi Kongchen, published in the 19th year of the Guangxu reign (1893), consisting of eight volumes. The first two volumes are on qin theory and finger techniques, while the remaining volumes include 32 ancient qin pieces. When compiling this qin, the author [conducted extensive research over many years, collecting secret manuscripts from renowned masters, as the qin schools varied and titles were often inconsistent. This work is based on the Wuzhiqi and Ziyuan Tang qins, incorporating personal insights for correction and reflecting the general principles of the Guangling school.] Thus, it can be inferred that The Kumu Chan Qin belongs to the Guangling school. The pieces in The Kumu Chan Qin are those the author practiced for decades, with several being his own compositions. All [focus on simplifying themes, removing unnecessary details, capturing the essence of yin and xiao, paying attention to finger techniques, and aligning with the harmony of sound.] In the prefaces, the author highly praises Kongchen's person and skills.