Ink and Brush Flowers and Birds: Demonstration of Life Drawing Works by Famous Schools and Teachers

Author: Chen Yunquan
Publisher:
Publish Date: 2001-10-01
Features: From the formation and development of techniques such as freehand line drawing, light color, heavy color, boneless painting, and silk hair painting in Song Dynasty meticulous flower-and-bird paintings, to the Ming Dynasty's composition style dominated by grand landscapes, to the of boneless painting by Yuan Nan Tian and Er Ju in the Qing Dynasty, and then to the silk hair techniques of Liu Kui Ling in modern times, it is not difficult to see that all techniques thrive with the changes in aesthetic preferences and humanistic environments of each era. Creative painters in every age must stand out in both formal appearance and technical style. Those who distinguish themselves with unique styles are all wise individuals who can absorb the past and present, fully grasp tradition, and keenly perceive the dynamics of art. The brilliance of the artistic river of Chinese meticulous flower-and-bird paintings relies on this accumulation of wisdom. Generation after generation of artists, nurtured by the treasures of their predecessors, open new doors to wisdom, rediscover the profound mysteries of the universe, and draw nourishment from the inexhaustible sources of life, as well as from the literary and artistic libraries of the past and present both at home and abroad. They inspire artistic creativity based on their talent, temperament, and individual characteristics, expanding their artistic horizons and paths, thus creating an endless variety of artistic styles. Therefore, the reshaping of contemporary artistic styles should first begin with the reshaping of the painter's personalized techniques, the broadening of their perspective, and their renewed humanistic concern and individuality.