Introduction to Chinese Creativity Theory

Author: Liu Zhonglin
Publisher:
Publish Date: 2001-05-01
Features: This book begins by reviewing the development of Western and Chinese creativity studies from the perspective of the 21st century, summarizing the essence of creative techniques both domestically and internationally. It is organized into four major categories (the Four Symbols): association, combination, analogy, and aesthetic pursuit. Within these categories, it provides detailed explanations of typical techniques as well as broader introductions to related extended techniques. The foundation of creative techniques lies in creative thinking. The middle part of the book offers an innovative exploration of the two major types (the Two Instruments) of creative thinking—yin and yang—and their logic. The foundation of creative thinking is the creative realm. The final part of the book conducts pioneering discussions on the highest realm of creativity—the Tao (the Taiji). This book is suitable for readers who are new to the field of creativity studies, as well as those with preliminary knowledge of creativity who wish to further enhance their understanding.