Author: Zhao Weijiang
Publisher:
Publish Date: 2004-04-01
Features: This series of "Literati Lovers" aims to explore the emotional interactions between famous literati and women or men from the Tang, Song, Yuan, Ming, and Qing dynasties as the main, using biographical and literary research as the primary material. Through a biographical approach, it presents poignant experiences in an accessible manner, bringing characters to life and recreating social landscapes of the time. The selected figures were highly representative of their eras. Yuan Zhen's "Record of the Meeting at the True Hall" (also known as "The Story of Yingying") has a certain real-life prototype and vividly reflects the marital and romantic ideals of Tang literati. The story later evolved into "The Western Chamber," vividly demonstrating the evolution of ancient love concepts. Li Qingzhao and Zhao Mingcheng were an exceptionally rare loving couple in Chinese history. Their love was set against the backdrop of the rise of Neo-Confucianism in Song Dynasty, the sudden change in women's romantic perspectives, and the great social upheaval during the Northern and Southern Song periods. Zhao Mengfu was not only a renowned litterateur, calligrapher, and painter but also a nobleman of a fallen dynasty. Under the social context of Mongol rule in the Yuan Dynasty, his marital and romantic views underwent certain transformations, offering a glimpse into the integration of Central Chinese culture and foreign influences. Feng Menglong lived in a Ming Dynasty society similar to the modern era, where capitalist elements were beginning to emerge, urban consciousness was awakening, and there was a pursuit of sensual pleasures. He paid close attention to women's themes throughout his life, and his works embody the views on women and love of Ming people. Hou Huizhen, after her marriage, was not only frequently remembered in poems by Feng Menglong but also never stepped into brothels again. Mao Biqiang and Dong Xiaowan lived during the transition between the Ming and Qing dynasties. Their love was intertwined with the great changes of the era. Mao Biqiang created a unique "Recollection Style" of love poems for Dong Xiaowan, which were widely admired by later generations. However, the historical records of such pairs of lovers from ancient times varied greatly. Often, one partner's significant success in literary creation made their romantic history equally celebrated and widely known. The other partner in the relationship then became household names. Specifically, within this series, Yuan Zhen, Li Qingzhao, Zhao Mengfu, Feng Menglong, and Mao Biqiang all left behind a wealth of works and rich personal biographical materials. The other half of each pair, however, has relatively scarce records. As a result, the series inevitably focuses more on one figure over the other. All these factors are sufficient to demonstrate the tortuous evolution of marital and romantic concepts in ancient China and their diverse manifestations. The series aims to combine popular accessibility with academic rigor. At the same time, it offers a fresh and in-depth understanding of the literary creations of specific authors. The authors of the series hope that readers will find the history engaging and aesthetically pleasing, thereby gaining insights that may contribute to the development of healthy marital and romantic perspectives. The evaluation of the Buddhist master Zhao Puchu on the legendary couple Zhao Mengfu and Guan Daosheng is particularly apt. Zhao Mengfu was a master of extraordinary talent, renowned as the "painter of the Yuan Dynasty," with his calligraphy known as the "Zhao style," which remains a treasure of the art world even today. He excelled in all literary forms—poetry, prose, and essays—and pioneered a new era in Yuan poetry. Guan Daosheng was equally gifted, skilled in poetry, calligraphy, and painting, with a fresh and elegant brushwork. For a full thirty years, this couple of unparalleled poetic, calligraphic, and artistic talent traveled together in the realms of poetry and painting, shared joys and sorrows in the turbulent world of politics, and supported each other through thick and thin, leaving behind many touching stories.
Zhao Mengfu and Guan Daocheng
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