Author: Chen Pingyuan
Publisher:
Publish Date: 2003-12-01
Features: In recent years, Chen Pingyuan has been focusing on the relationship between images and text. From Touching History to Dian Shi Zhai Huabao, this book primarily discusses the illustrations of classical Chinese novels, examining the production, dissemination, and reception of ancient Chinese fiction, presenting another dimension and bringing images into the discussion. Through the study of illustrations from ancient Chinese novels, it interprets the way predecessors expressed their imagination of text through images, reconstructing the scene and returning to the origin. This book takes the classical Chinese novels Dream of the Red Chamber, Jin Ping Mei, Strange Tales from a Chinese Studio, Swordsmen and Heroes, and Shongyin Manlu as its objects of study, with particular emphasis on the famous woodblock illustrations in their publishing history, i.e., the illustrations of these novels. The author adopts a-style approach, blending a comprehensive perspective of the history of novels, art history, and cultural history to guide readers through classical Chinese novels and their exquisite illustrations. The writing is both accessible and profound, with a light tone, fully utilizing the potential of both images and text. What text cannot express, images can supplement; what images cannot handle, text takes over. This avoids the pitfalls of general novel scholars overlooking the beautiful illustrations, or art historians from ancient China undervaluing the value of the novels themselves. The author may comment on the novels, appreciate the illustrations, discuss the pros and cons of the combination of text and images, or analyze the author's intent and the quality of the engravers. Different readers with different backgrounds will naturally have their own reading experiences and gains.
Picture Storytelling: Reading Notes on Novel Illustrations
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