Artist Discusses Art -- Special Expressions of Modern Ink Painting Masters ③

Author: Liu Quanyi
Publisher:
Publishing Date: 2000-04-01
Features: Painting in the style of fine brushwork is a very demanding task. Long-term creation requires abundant energy and physical strength, as well as a keen mind and a good sense of composition—it reflects the comprehensive abilities of a painter. The revival of contemporary fine brushwork has many contributing factors, and people join this field for various reasons. In recent years, the emergence of numerous fine brushwork pieces in exhibitions has sparked much discussion, with opinions divided. Some believe that fine brushwork is highly structured and easy to master—anyone willing to invest time can achieve it, making it simpler than freehand painting. However, this is not entirely true. Freehand and fine brushwork differ only in their techniques of expression, with the ultimate goal being the same: to infuse one's feelings into the painting through brush and ink, creating aesthetic value that is both culturally rich, visually appealing, and artistically refined. This reflects the depth of the painter's own character. Tools and materials are merely carriers and do not represent the level of artistic skill. Throughout the history of Chinese painting, many artists excelled in both fine brushwork and freehand painting, such as Tang Yin and Chen Hongshou. Can you say that the fine brushwork and freehand painting in their works are superior or inferior to one another? They are intertwined and mutually nourishing, and should not be ranked hierarchically.
The mastery of brushwork in freehand painting requires years of accumulation to reach a certain level, which is undeniable. However, achieving a high realm and artistic refinement in fine brushwork is no easier, as the prolonged process of creation hinders the direct expression of emotions. Freehand painting quickly captures inspiration, while fine brushwork demands a lengthy process and the ability to maintain sudden insights throughout. This presents an even greater challenge, requiring strong control, a clear mind, and adaptability.
The author, with a solid foundation in freehand painting, initially separated it too far from fine brushwork, becoming trapped in the mere mechanics of production and losing the flexibility of thought, resulting in a lack of artistic charm. Later, the author took a break from fine brushwork, turning to freehand painting to stimulate the "blood vessels" of blocked creativity. This led to the formation of the author's own small works, bringing fine brushwork closer to the author's true self. Fine brushwork showcases the author's meticulous spirit, while small works embody more of the author's emotions.
The author's passion for painting is poured into every stroke and ink mark. The moment the brush touches the paper, a joy beyond words fills the heart. Communicating with the work, it feels as if one's blood seeps out from the tip of the brush, leaving behind spiritual traces. The small works merge with the author's thoughts, unconsciously revealing a serene, modest, and uncompetitive mindset. The scenes are empty and tranquil, as if filled with the whispers of the heavens.