My ideal is stranded on the beach

Author: Zhang Yong
Publisher:
Publish Date: 2004-01-01
Features: As early as 1986, Zhang Yong had a significant influence in the music industry, with his artistic prowess far ahead of his time. His fame is undeniable, unmatched by ordinary newcomers. Wang Kun sees immense commercial value in him, yet he also possesses a sense of mission to stand with non-mainstream culture and a rock spirit—rare and exceptional. He is the only one I believe can navigate between mainstream and non-mainstream cultures with resilience. Cui Jian, as long as it's Zhang Yong's work, we only recognize it as Zhang Yong's work. Everyone strives for perfection. Zhang Yong says where to redo it, even if it's late, no one complains. If it were anyone else, as long as they felt it was right, they'd just toss the music score away and move on to the next project, quickly, quickly. Li Lu Now, who else can still be like him back then, having their name listed on almost every pop music album in China? No one can, only Zhang Yong. In the eyes of musicians, that was a kind of glory, an achievement—the era was Zhang Yong's era. Li Yanliang This is a history of modern Chinese pop music.
Zhonggongdang Zhao Mingfang This book tells the story of the author's personal relationship with the renowned Chinese singer Mao Amin from a first-person perspective and records his interactions with figures like Wang Kun, Cui Jian, and Liu Huan.