Author: Tan Ping
Publisher:
Publish Date: 2002-06-01
Features: CD, as a stable and convenient medium for storing electronic data, has become extremely popular in modern society. Image CDs, music CDs, software CDs, and various electronic publications make us increasingly dependent on this medium. For such a shape, size, and texture interface, how much possibility and development space is there for visual design? We know that the perforated circle determines the special composition relationship of all visual elements on this plane, and the special texture determines specific printing methods. All information must be conveyed within it, striving to highlight different characteristics. It seems that there is no more restricted field of graphic design than the CD. However, it is often the "constraints" that provide a solid stage for "expression," allowing creativity to perform infinite possibilities on this stage. In fact, limiting some things also emphasizes others, and this is precisely the balance point that design's eternal development must grasp. This book lists some distinctive CD cover design examples, involving issues of design language mastery, such as how to express complete and strong concepts under the premise of minimalist elements; the use of the form language of fonts alone; the relationship between fonts and graphics; the structural relationship between graphics and special borders; and the utilization of specific printing effects; subjective control of form and color, etc. These topics are always central to the field of graphic design and are particularly prominent in the specialized category of CD cover design. In this regard, starting with the study of CD cover design and broadening the understanding of other graphic design fields through it can be an efficient and effective method for those interested in design.
Designer Series - CD/DVD Cover Design 100 Series
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