Master Fan Paintings: Chang Zhaohui Landscape Fan Paintings - Fine Selection

Author: Chang Zhaohui
Publisher:
Publish Date: 2006-03-01
Features: Chang Zhaohui's intelligence is evident in his painting process, often leaving people in awe. He is a master at expressing emotions and meaning through brushwork. No matter how (randomly sketched) dry or wet, thick or thin ink, he can make them appropriately balanced and well-placed in the end. What's even more astonishing is that whether the ink lines are fast or slow, rhythmic or not, thick or thin, resilient or soft, or hard, they all possess a rich texture, combining to give a sense of musical melody. This forms a symphony that conveys his profound feelings for the mountains and rivers of his life. Due to the well-executed ink, the natural charm is effortlessly achieved. Whether it's the mountains, clouds, or forests in his paintings, a single touch of vermilion, like a wizard sprinkling it, seems to infuse the entire scene with a soul, creating a mysterious atmosphere, a fairy-tale-like dream of enchanting beauty, and a faint touch of melancholy. According to Symbolism painting theory, this is the natural expression and psychological suggestion of the author. Although some of his landscape paintings are dark and full, they are filled with magic and splendor. The swirling clouds and waters, the emerald-green stone mountains like jade, and the vermilion hues like the sun and rosy clouds often bring a refreshing sense of wonder. In terms of technique, his painting undoubtedly inherits and elevates the tradition of Chinese traditional landscape painting. He fuses the classic works he most admires from generations of landscape paintings into a golden key to unlock his own heart, then releases a group of sparkling, infectious, and tempting spirits that cling to the mountains, waters, springs, rocks, and the dreamlike "Chang-style clouds and mist." He can base his work on real scenes while expressing all his ideals and emotions through brushwork, creating a realm entirely different from reality. In key areas, he is precise; in non-key areas, he loosens up appropriately. Thus, Chang Zhaohui's landscape paintings, whether through the accumulation of ink in dotting and line (overlapping) or the bold, flowing brushwork, achieve what the ancients described as "grasping every detail perfectly" and "combining form and spirit with rich inner meaning," yet with a sense of liveliness that permeates the thick brushwork.