Journey to the West (Volumes 1, 2, and 3) (Treasured Complete Embroidered Illustrations Edition)

Author: Wu Cheng'en
Publisher:
Publishing Date: 2005-01-01
Features: The Journey to the West primarily depicts the story of Sun Wukong protecting Tang Sanzang on his journey westward to retrieve the Buddhist scriptures, enduring ninety-nine and nine difficulties. The journey of Tang Sanzang was a real event in history. Approximately thirteen hundred years ago, in the first year of the Zhenguan era (627), a young monk named Xuanzang, aged only twenty-five, left the capital Chang'an and traveled alone to India (Tianzhu) for studies. After departing from Chang'an, he passed through Central Asia, Afghanistan, and Pakistan, overcoming numerous hardships and obstacles before finally reaching India. There, he studied for over two years and was honored as the main speaker at a major Buddhist scholastic debate, receiving praise. In the nineteenth year of the Zhenguan era (645), Xuanzang returned to Chang'an, bringing back 657 Buddhist scriptures. This journey to the west took nineteen years and covered tens of thousands of miles, a legendary long march that caused a sensation at the time. Later, Xuanzang dictated his travels to the west, which were compiled by his disciple Bianji into the Record of the Western Journey to the Great Tang in twelve volumes. However, this book mainly described the history, geography, and transportation of the countries he visited and contained little narrative. Later, his disciples Huili and Yancong wrote the Biography of the Venerable Monk Xuanzang of the Great Tang's Daci'en Temple, which added many mythical elements to Xuanzang's experiences. From then on, the story of Tang Sanzang's journey to the west began to spread widely among the people. During the Southern Song Dynasty, there was The Poetic Account of the Journey to the West by the Great Tang Monk, and in the Jin Dynasty, there were Tang Sanzang and The Peach Blossom Banquet in the court drama. In the Yuan Dynasty, there were Wu Changling's Tang Sanzang's Journey to the West and an anonymous The God Erlang Locks Sun Wukong, all of which laid the foundation for the creation of The Journey to the West. Wu Cheng'en, styled Ruzhong and known as Shaoyang Mountain Man, was from Shanyang (now Huai'an City, Jiangsu Province). He was born around the years between the thirteenth year of the Hongzhi era and the early Zhengde era (1500–1510) of the Ming Dynasty and died around the tenth year of the Wanli era (1582). Wu Cheng'en's great-grandfather and grandfather were scholars who served as instructors and preachers in county schools. However, by Wu Rui's generation, due to poverty, he was adopted into the Xu family and took over their business, becoming a small merchant. Despite this, the Wu family maintained its tradition of scholarship. It is said that Wu Rui, though a merchant, was upright in character and loved reading and discussing current affairs, which greatly influenced Wu Cheng'en. Wu Cheng'en was very intelligent from a young age and entered school early, achieving success in his youth and gaining a reputation in his hometown. The Huai'an Prefecture Gazetteer (Volume 16) describes Wu Cheng'en as "quick-witted and knowledgeable, well-versed in books, and able to compose poetry and prose at the drop of a hat." However, Wu Cheng'en's life became less in adulthood, facing repeated setbacks in the imperial examinations. It was not until he was in his forties that he was appointed as a xuegong, and in his fifties, he served as the county magistrate of Changxing County in Zhejiang and later as a Jixian in the Jing Wangfu. These were low-ranking, ceremonial positions. Wu Cheng'en began writing The Journey to the West in his middle age, or possibly later, though the exact time remains uncertain. In addition to The Journey to the West, he also wrote the long poem The Song of Erlang Searching for Mountains and The Legend of Yu Ding. The extant Collected Works of Master Shaoyang (in four volumes) include one volume of poetry and three volumes of prose, compiled by Qiu Du after Wu Cheng'en's death. The Journey to the West is a 100-capter novel, which, in terms of its overall structure, can be divided into three parts. From the beginning to the eighth chapter is the first part, primarily describing Sun Wukong's birth, his apprenticeship, and his rebellion in Heaven. This is the most exciting part of the book, filled with chaos as Sun Wukong travels, fully showcasing his rebellious spirit. The eighth to the twelfth chapters form the second part, mainly detailing Tang Sanzang's origins and the reasons for his journey. The thirteenth chapter to the last chapter is the third part, focusing on Tang Sanzang's journey to the west, where he later adopts Sun Wukong, Zhu Bajie, and Sha Wujing as his disciples and faces ninety-nine and nine trials before finally retrieving the true scriptures and achieving enlightenment. The Journey to the West presents a vibrant and colorful world of gods and demons, leaving readers in awe of the author's rich and bold artistic imagination. However, every work of literature reflects a certain aspect of social life, and as an outstanding representative of fantasy fiction, The Journey to the West is no exception. As Lu Xun pointed out in A Brief History of Chinese Fiction, The Journey to the West "satirizes and teases the social customs of the time, adding exaggerated descriptions." He also said, "The author has a talent for humor, so even when describing fantastical events, he often mixes in witty remarks, making the gods and demons seem human and the spirits and monsters worldly." Indeed, through the fantastical world of The Journey to the West, we can see the reflection of real society everywhere. For example, in the creation of Sun Wukong's character, the author embodies his ideals. Sun Wukong's indomitable spirit, his fearless defiance of all demons and monsters with the Golden Headband, reflects the people's wishes and aspirations. He represents a force of justice, demonstrating the people's belief in overcoming all difficulties. He embodies a righteous power, showing the people's unwavering confidence in victory. The demons and monsters encountered on the journey are either manifestations of natural disasters or symbols of evil forces. Their greed, cruelty, cunning, and treachery are also characteristics of the dark forces in feudal society. Moreover, the Heavenly Palace ruled by the Jade Emperor and the Western Paradise governed by the Buddha are heavily colored with the hues of human society. The author's attitude toward the highest rulers of feudal society is also worth noting. In The Journey to the West, it is difficult to find a competent emperor; as for the ignorant and incompetent Jade Emperor, the king of Xuanchi who trusts demons, or the king of Biqiu who intends to use children's hearts and livers as medicine, they are either tyrants or incompetent rulers. The portrayal of these characters, even if done casually, carries strong realistic significance. The Journey to the West not only has profound ideological content but also achieves remarkable artistic success. With its rich and extraordinary artistic imagination, vivid and storylines, lifelike characters, and humorous and witty language, it constructs a unique artistic palace of The Journey to the West. However, I believe the greatest artistic achievement of The Journey to the West lies in the successful creation of the immortal artistic figures of Sun Wukong and Zhu Bajie. Sun Wukong is the protagonist of The Journey to the West, an extraordinary hero. He possesses boundless abilities, fears neither heaven nor earth, and has an indomitable spirit of rebellion. He has the grandeur of a great hero but also the flaw of enjoying flattery. He is clever, brave, and playful. His greatest characteristic is his courage to fight. He dares to challenge the supreme and all-powerful Jade Emperor, earning the title of "Great Sage Equal to Heaven." He dares to fight against demons and monsters, never missing a single demon with his fiery eyes and never showing mercy to them under the Golden Headband. He dares to fight against all difficulties, never retreating or bowing his head. This is Sun Wukong, a dazzling mythological hero. As for Zhu Bajie, his abilities are far inferior to Sun Wukong, and he is certainly no heroic figure, but this character is also portrayed very well. Zhu Bajie is a comedic figure, simple-minded and strong, who also dares to fight against demons and monsters and is a loyal assistant to Sun Wukong. However, he is full of flaws, such as his love for food, his tendency to take small advantages, his obsession with women, his fear of difficulties, and his frequent desire to give up. He often thinks of the wife in Gaogao Village. Sometimes he lies, but his clumsy mouth and slow wit make it hard for him to convince anyone. He also occasionally provokes Tang Sanzang to recite the Golden Headband, making Sun Wukong suffer. He even hides some private money, stuffing it in his ear. His flaws are many, reflecting the vices of a petty owner. The author's criticism of Zhu Bajie's flaws is severe but well-intentioned. He is not a completely negated character, so people do not dislike Zhu Bajie; instead, they find him quite real and endearing. Tang Sanzang's character is also well-written, but compared to Sun Wukong and Zhu Bajie, he is somewhat inferior. Sha Wujing is even more lacking in distinct personality traits, which cannot be said to be a shortcoming of The Journey to the West. Despite this, the artistic achievements of The Journey to the West are still remarkable. Sun Wukong and Zhu Bajie, with their distinct personalities, stand as immortal artistic monuments in the history of Chinese literature.