Qigong Congcang: Poetry Volume

Author: Qi Gong
Publisher:
Publishing Time: Not available
Features: At the age of twenty, Qi Gong began to study under Li Yun, where he learned about academic schools and textual research, understanding that "without evidence, no claim" is the foundation of conduct and writing. At that time, he had a private passion for calligraphy and painting, often drawing inspiration from ancient works. One day, when Li Yun asked about his interests, he replied that he hoped to achieve something in the field of art. The teacher then encouraged him with a witty remark: "I initially studied medicine, and in the future, I will also be a person who inherits the art of healing." Later, he taught at middle schools and universities, expanding his knowledge, and also indulged in poetry and lyrics, having written "Draft on the Theory of Ancient Characters." When the book was completed, his mentor still had the opportunity to review it. After painstakingly writing "Draft on the Theory of Poetic Rhythm and Prosody," it took ten years to finish, but his mentor was no longer able to see it. In the early 1980s, the elderly friend Fu Xuancong of Zhonghua Book Company asked me to compile a collection of my scattered old manuscripts into a book. Fortunately, I had a label from years ago where his mentor had inscribed "Qi Gong Collection" on it, which I used for the title. Mr. Fu supervised the printing to be done quickly. The publishing department term for this is "," and within a few days, the printing was completed. This is the second volume of my humble manuscripts.