Author: Wang Wenjuan
Publisher:
Publish Date: 2006-05-01
Features: This book outlines the development and evolution of color in Chinese painting, showcasing its achievements and pitfalls, and conducts explorations in aesthetics and cultural studies. It discusses the Five Elements and Five Colors, Confucian color perspectives, and Taoist color perspectives in detail. Furthermore, it explores the philosophical foundations and cultural essence of green mountain and clear water paintings through the integration of Confucianism, Taoism, and Buddhism, as well as the absorption of the Five Elements and Five Colors. It also interprets the mindset of scholars, aesthetic ideals, and socio-cultural motivations behind literati ink paintings through the fusion of Laozi, Zhuangzi, Xuan, Chan philosophies, and the influence of Confucian Lu Xinxue. In the end, the book conducts a comparative study of Chinese and Western painting colors, concluding that in the era of global integration, maintaining between the East and West, eliminating their respective drawbacks, and comprehensively developing Chinese painting colors and even the contemporary face of Chinese culture from a more humanistic and healthy perspective should be our highest ultimate concern. This is also the way to open the dimensions of aesthetics and existence.
Ink Rhythm and Color: Exploring the Aesthetics of Color in Chinese Painting
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