A hidden gem. Antiquities and cultural treasures.

Author: Xia Feng
Publisher:
Publish Date: 2006-05-01
Features: This book is part of the "Treasures in Golden Houses" series, providing a concise discussion on the origins of the "Four Treasures of the Study" (brush, ink, paper, and inkstone) and the "Seven Treasures" (such as pen pots, pen rests, inks, and pen stands), their characteristics in different eras, the collection histories of various owners, and price comparisons across different periods. It fully demonstrates the cultural value of these treasures that have survived to this day, making it an accessible and specialized guide for collectors. The "study" () was historically a place for officials to manage documents, a study for scholars, and also a shorthand for brush, ink, paper, and inkstone. For example, in the "Dream of the" () by Wu Zimou of the Song Dynasty, it is recorded: "Candidates were only allowed to bring a study set and examination papers, but no other literary works were permitted." It was said that the study was considered highly sacred in the past, with women forbidden to enter and located far from living quarters, where the sounds of roosters and dogs could not be heard. This is why the saying "Turn a deaf ear to the world outside and focus solely on studying the classics" is so apt. Scholars dominated the study, just as a skilled embroiderer dominates her craft, selecting items that reflect her unique style. As a result, the arrangement of the study would have its own distinct aesthetic. The "Four Treasures of the Study" (brush, ink, paper, and inkstone) are irreplaceable cornerstones, while the "Four Elegant Arts" (music, chess, calligraphy, and painting) should never be taken lightly. The myriad "Four Graceful Treasures" (pen pots, pen rests, inks, and pen stands), as well as tables, chairs, and accessories, are all meticulously crafted, showcasing individuality, knowledge, and creativity. They also reflect the inner world and taste of scholars in their solitude. This book is part of the "Treasures in Golden Houses" series, providing a concise discussion on the origins of the "Four Treasures of the Study" (brush, ink, paper, and inkstone) and the "Seven Treasures" (such as pen pots, pen rests, inks, and pen stands), their characteristics in different eras, the collection histories of various owners, and price comparisons across different periods. It fully demonstrates the cultural value of these treasures that have survived to this day, making it an accessible and specialized guide for collectors. The "study" () was historically a place for officials to manage documents, a study for scholars, and also a shorthand for brush, ink, paper, and inkstone. For example, in the "Dream of the" () by Wu Zimou of the Song Dynasty, it is recorded: "Candidates were only allowed to bring a study set and examination papers, but no other literary works were permitted." It was said that the study was highly sacred in the past, with women forbidden to enter and located far from living quarters, where the sounds of roosters and dogs could not be heard. This is why the saying "Turn a deaf ear to the world outside and focus solely on studying the classics" is so apt. Scholars dominated the study, just as a skilled embroiderer dominates her craft, selecting items that reflect her unique style. As a result, the arrangement of the study would have its own distinct aesthetic. The "Four Treasures of the Study" (brush, ink, paper, and inkstone) are irreplaceable cornerstones, while the "Four Elegant Arts" (music, chess, calligraphy, and painting) should never be taken lightly. The myriad "Four Graceful Treasures" (pen pots, pen rests, inks, and pen stands), as well as tables, chairs, and accessories, are all meticulously crafted, showcasing individuality, knowledge, and creativity. They also reflect the inner world and taste of scholars in their solitude.