Identification of Ming and Qing Porcelain Patterns: Lotus, Peony, and Scroll

Author: Tie Yuan
Publisher:
Publish Date: 2002-04-01
Features: This book includes over 500 pieces of Ming and Qing Dynasty artifacts adorned with lotus and peony patterns, categorized by different compositions and artistic expressions into aspects such as entwined lotus, broken-stem lotus, and handled lotus. It provides a detailed elaboration and dating of lotus and peony patterns across various dynasties. Ming and Qing Dynasty porcelain is renowned for its rich forms and exceptionally high craftsmanship, widely recognized worldwide. Their exquisite patterns hold a significant position in the history of Chinese ceramics, especially the application of lotus and peony patterns on porcelain during the Ming and Qing Dynasties, which is more extensive and diverse in style. Official kiln patterns are meticulous, delicate, and magnificent; while folk kiln patterns are free-spirited, simple, and rustic, all embodying the characteristics of their respective eras. The colors of the patterns are vibrant and varied—blue-and-white porcelain craftsmanship has reached maturity, continuously innovating; multi-colored glazes are rich and dazzling, with flowers in full bloom; famille rose, originating from the richness of blue-and-white, is softer than multi-colored glazes; famille rose has a fresh style with clear contrasts between light and dark; enamel glazes use colors meticulously, with intricate patterns, and include unique styles such as sancai (three-color glaze), underglaze red, gold glaze, and various colored glazes with carved patterns. This book includes over 500 pieces of Ming and Qing Dynasty artifacts adorned with lotus and peony patterns, analyzing each from aspects such as layout, painting techniques, and colors to provide a detailed elaboration and dating of lotus and peony patterns across various dynasties. In the specific discussions, there are comparisons between different dynasties, as well as similarities and differences between official and folk kilns, and even contrasts between authentic and counterfeit pieces. Special attention is given to enlarged images of specific details, allowing readers to discern subtle differences and provide evidence for dating.