Qin Wenjun's Collection of Fragrant Flowers: Daffodil Volume

Author: Qin Wenjun
Publisher:
Publishing Date: 2005-05-01
Features: Qin Wenjun is one of the most important, representative, and transitional renowned writers in Chinese children's literature since the new era. Her artistic exploration has opened up new artistic spaces for the creation of contemporary Chinese children's literature and brought a brand new aesthetic pleasure to contemporary Chinese young readers. Her novels feature unique artistic structures, rich and vivid details, and a light, humorous tone and style. They are close to the times, close to readers, and close to the real lives and psychological realities of young children. She portrays the hearts of young boys and girls filled with sunshine and fragrant flowers, while alsoing the awkwardness, complexity, and the joys and pains of transformation they face during their growth. Qin Wenjun has successfully created numerous artistic images of young boys and girls, such as "Boy Jiali" and "Girl Jimei," which will forever shine in the hall of artistic images in children's literature. This collection is rich in content and has a unique style, with a floral cover, floral chapter headings, and floral letterhead. Each volume also includes letters written by the author herself to young boys and girls, as well as prefaces filled with floral fragrances written by ten renowned Chinese children's literature writers and critics for this collection. This series of works, much like the characters created by Qin Wenjun, exudes a youthful charm like flowers and holds great collectible value. This volume includes eleven short and medium-length stories, such as "Brother-in-Law Arrives" and "Orphan Club." "Brother-in-Law Arrives" describes a strange phenomenon: the narrator always hears her mother praising her brother-in-law, so she secretly competes with him. Unexpectedly, her brother-in-law is also secretly observing her, because his mother is also constantly praising her. In "Orphan Club," it depicts a group of girls who have left their parents to study in Shanghai and how they integrate into a new collective and resist various temptations from society. Their emotional journey from suspicion and jealousy to mutual trust and help is portrayed. The short and medium-length works in this volume are extraordinary, unique, clever, wonderful, elegant, and light yet profound, like the water lily.
(Note: The original Chinese text contains repeated sentences that are slightly different in the second and third instances. The translation has been adjusted to avoid redundancy while maintaining the original meaning.)