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Author: Eyeless
Publisher:
Publish Date: 2007-01-01
Features: Stories about four people aren’t much to talk about. What can we do? No matter how we try, we can’t be more bizarre than a play or more moving than a story. It’s just back and forth—someone loves you, you love someone else, someone else loves you, and you love them. At most, it’s just love for love. In the end, it’s still love or not love, not love or love, love what you don’t want, and want what you don’t love. Written down, it looks fake. The "we" in the story is growing. This growth is like a vine plant, starting from the same root, winding and twisting, climbing, toward all sorts of possibilities. The older we grow, the more lonely we become. We drift apart and come together at the far end, loving and being loved. Three stories—just three fleeting glimpses of strangers: What Kind of Love: Xiao Xiao loves Lei, An loves Mang, Lei loves An, and does Mang love Lei? A tangle of four people, starting with a play and ending with the same play. Knowing whether to love or not to love, it can’t be more bizarre than a play, but like a child or a patient, they plunge headfirst without thinking it through. For Example, Single: Lovers are separated by time and the ocean, while memories of the past are dissolved by the entanglements between people; Come, Let’s Tell a Story: The story of Lula and Zika. Twin siblings grow up relying on each other, but every moment, they are still alone. When one person tells the story of another’s growth, they can only be like helpless bystanders, watching others’ stories as if they were happening to themselves. Eyeless uses a peculiar line-breaking style to highlight the rhythm of the text, expressing emotions through rhythm. Shorter, longer, faster, slower—like the different glows of youth. The light is pure, and the rhythm makes the reader feel that the one telling the story is themselves. Look forward, look backward, look deeper, look in all directions. Readers can’t easily escape until they start imagining their own youth and growth.